NUAGE chair

Store radier i sæde-ryg-delen giver formen flugt og fart – og associationer til en blød sky fra et maleri i samlingen. Udsynet til malerierne lukkes kun lidt grundet stolens transparens, der, sammen med stålets reflekterende overflade, tillige gør, at farve, fremtoning og skyggetegning skifter radikalt i varierende belysninger. Som vand – og skyer – tager stålet farve efter lys og omgivelser, men kontrasterer dog til udstillingsrummenes egetræsflader. En afbalancering af “usynlighed” og nærvær. Large radii in the seat-and-back section lend the form a sense of flight and speed – and associations to a soft cloud from one of the paintings in the collection. The view of the paintings is only slightly obscured, thanks to the chair’s transparency, which, along with the reflective surface of the steel, also causes the colour, appearance and shadow forms to vary radically with changes in lighting. Like water – and clouds – the steel takes its colour from lighting and surroundings but always stands in contrast to the oak surfaces of the exhibition halls. A balance between ‘invisibility’ and presence.