Brændt og glaseret stentøjsler // Fired and glazed stoneware clay
41 x 41 x 41 cm (H x L x D)
Vi har arbejdet med en keramisk overflade, som fremkalder lys- og skyggevirkning. Da udstillingen går i dialog med stedets faste samling, har vi skabt referencer til nogle af impressionismens grundtanker. Vores møbelskulptur fanger øjeblikket, hvor det bløde, drejede ler presses sammen og deformeres. De mange enkeltdele samles til en helhed i en kubeform, som refererer til industrielt sammenpresset skrot. Skulpturen er en kommentar til materiel overflod. // We worked with a ceramic surface that gives rise to light and shade effects. Since the exhibition enters into dialogue with the museum’s permanent collection, we have created references to some of the basic ideas of impressionism. Our furniture sculpture captures the moment when the soft, wheel-thrown clays is compressed and deformed. The many individual components are combined into a whole in a cube shape that references industrially compacted scrap. The sculpture is a comment on material excess.